![]() Lizst developed procedures for combining all of the tempos, meters, and key-relationships of a four-movement symphony into a single movement. That attitude brought on a new war of words between followers of Brahms on one hand and Wagner and Liszt on the other. Structually, his 13 symphonic poems are based loosely on sonata form, but Liszt had never studied with sonata form composers.Īs someone long on the other side of the popular/classical divide, he saw no reason to use old forms and procedures just because Haydn, Mozart, and Beethoven had. ![]() ![]() He needed only to study how to orchestrate in order to take that step.Īs composer of orchestral music, Liszt invented the symphonic poem, a single movement work intended to convey a literary idea. His informal study of orchestral scores for the purpose of making his piano transcriptions gave him a background that most piano virtuosos never acquired. His formal study with music teachers of high artistic standards laid the foundation. How and why, then, did the piano virtuoso Lizst become an influential orchestral composer? Liszt’s embrace of Beethoven coincided with the eventual merger of these two audiences. Philistines, or partisans of what can more kindly be called high-status popular music, had long waged a war of words against partisans of what was already called classical music. He eventually came to an artistic crossroads when someone challenged him to perform Beethoven sonatas. ![]() He also made piano transcriptions of orchestral music in order to introduce it to audiences that might otherwise have no opportunity to hear it. Liszt wrote his share of (much better) variations and fantasies. Still, the kind of people who succeeded on the touring virtuoso circuit and the salons of Paris rarely ventured far from writing piano music. They are not highly regarded composers today, but were excellent teachers. Liszt had studied composition and theory with Antonio Salieri, Fernando Paer, and others. They churned out sets of variations on popular tunes that all seemed to be based on stock formulas. It appears that the most famous and notorious of these Philistine virtuosos had tremendous skill at the keyboard, but not particularly well-rounded musical training. Franz Liszt, a different sort of piano virtuoso Therefore it makes sense that out of all the famous virtuosos, Liszt would invent the symphonic poem. Schumann recognized that Liszt wrote musically more substantial pieces. Most piano virtuosos of his generation and earlier contented themselves with composing what Robert Schumann scorned as Philistine music. He was a piano virtuoso, known for the flashy brilliance of his playing. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.Early in his career, no one would have guessed that Franz Liszt would ever become capable of writing symphonic poems like Les Préludes. He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Sai nt-Saëns, Edvard Grieg and Alexander Borodin.Īs a composer, Liszt was one of the most prominent representatives of the 'Neudeutsche Schule' ('New German School'). He is said to have been the most technically advanced and perhaps greatest pianist of all time. Liszt became renowned throughout Europe for his great skill as a performer during the 19th century. ![]() TOOLS Blank sheet music generator Metronomeįranz Liszt (Hungarian: Liszt Ferenc) (Octo? July 31, 1886) was a world famous Hungarian composer, virtuoso pianist and teacher. ![]()
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